Albert-Ernest Carrier-Belleuse, Abduction of Hippodamia.

Albert-Ernest Carrier-Belleuse, Abduction of Hippodamia.

bronze with nuanced green patina. On its green serpentine marble column.
Date
circa 1870.
Size
Bronze only : height : 66 cm, width : 50 cm, depth : 26 cm. Column : height : 120 cm. Total height : 180 cm.
Collection
Art Nouveau Rare objects
Condition
very good (some very slight losses on the column).
Inventory number
316
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Exceptional bronze with original patina, nuanced green (slight erosion on the back of the horse), which preserves the authenticity of the work. On its green marble column. Made during the artist's lifetime around 1875.
Signed and titled "The Abduction" in a cartouche.

This scene is inspired by a passage from Ovid's Metamorphoses, in which the centaur Eurityon unsuccessfully tries to kidnap Hippodamia, the young wife of the Lapiths’ King, the peaceful people of Thessaly. It had previously been depicted by renowned painters like Rubens.

This sculpture is documented for the first time in 1871 through its terracotta version.

Auguste Rodin entered Carrier Belleuse's studio in 1864 as a practitioner until 1871

June Hargrove, demonstrated that the undulating body of the centaur with a daring musculature is characteristic of Rodin's models, suggests that Carrier-Belleuse's Abduction of Hippodamia may have been partly modeled by Auguste Rodin.

Indeed, from 1864 to 1871, Rodin worked in the Carrier-Belleuse workshop in Brussels and this model would have been designed at the end of his stay in Belgium. Indeed in the contrast between the voluptuousness of the naked female body and the hardness of the features of the centaur, we can distinguish the two approaches of the sculptors, the romanticism of Carrier-Belleuse, and the brute force of Rodin. The anatomical treatment of the main character is similar to the bruised men of the Titans' Vase. This bronze is part of the collections of the National Gallery in Washington, where it is presented with the possible participation of Auguste Rodin, then a student of Carrier-Belleuse.

The green marble column bearing this bronze accentuates the power of this melee and the violence of the momentum that carries this group, the centaur Pyloüs rearing up with ardor to kidnap Hippodamia, who resists him, this sculpture illustrating an episode taken from Ovid
 

Bibliography :
 

  • June Hargrove, The Life and Work of Albert Carrier-Belleuse, New York and London,1977, pp. 257-8, illustrated pl. 244
  • P. Fusco and H. Janson, The Romantics to Rodin, exh. cat., Los Angeles County Museum of Art, 1980, pp. 164-6, no. 50
  • Carrier-Belleuse, Le Maître de Rodin, exh. cat., Grand Palais de Compiègne, May 22-27, 2014, illustrated fig. 27.
  • In the catalogue Des Romantiques à Rodin de Fusco et Janson, published in 1980 by the Los Angeles county museum of art,

 

Museums exhibiting (among others) works by Albert Ernest Carrier Belleuse

  • Paris, Orsay Museum
  • Paris, Delacroix Museum
  • Versailles, Palace and Trianon
  • Roubaix, La Piscine Museum of Arts and Industry
  • Dijon, Magnien Museum

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